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<p><iframe loading="lazy" title="Destination Linux EP15 - Martin Wimpress of Ubuntu Mate" width="800" height="450" src="https://www.youtube.com/embed/gR8VnDZx_IU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
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<p>Welcome to Destination Linux Episode 15 with Martin Wimpress for 04-07-17</p>
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<p><b>History</b></p>
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<ul>
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<li>When did you start using linux</li>
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<li>How did you become THE mate guy</li>
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</ul>
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<p><b>Ubuntu Podcast</b></p>
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<ul>
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<li>One of our favorites</li>
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<li>What is the back story behind “The distro that shall not be named”</li>
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</ul>
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<p><b>Mate 1.18</b></p>
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<ul>
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<li>What are the benefits of using GTK3</li>
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<li>Was there work done on the fonts</li>
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<li>The Panel has a more cohesive feel to it? Is this all because of GTK3?</li>
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</ul>
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<p><b>Ubuntu 17.04</b></p>
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<ul>
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<li>Software Botiuque Updated</li>
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<li>A suggestion for a new category for Icons and Themes (Already Implemented)</li>
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<li>PowerPC being removed from 17.04 archive</li>
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</ul>
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<p><b>Future</b></p>
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<ul>
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<li>What is ahead for 17.10</li>
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<li>What are the upcoming developments for Brisk</li>
|
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<li>What is the Development process and how do you prioritize what gets done</li>
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<li>If people want to help out or contributeSide NotesObs Studio not installing newest version from the PPA<br />
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obs-studio: Depends: libfdk-aac0 (>=0.1.1) but it is not installable (Updated Soon)Brisk menu is not integrated with the places or system so you can’t just hover across all three like you can with applications</li>
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</ul>
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<p>Thank you Martin for spending some of your time with us</p>
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<p style="text-align: center;">Martin Wimpress</p>
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<p style="text-align: center;"><a href="https://ubuntu-mate.org/">Ubuntu Mate<br />
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</a><a href="https://ubuntu-mate.org/blog/">Ubuntu Mate Blog<br />
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</a><a href="https://twitter.com/m_wimpress?">Twitter<br />
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</a><a href="https://plus.google.com/+MartinWimpress">Google+</a></p>
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<p>SHOW NOTES: </p>
|
||||
|
||||
<p>- All the info you need to START is on our <a href='http://www.thebiblerecap.com'>website</a>!
|
||||
- Join our <a href='https://www.patreon.com/thebiblerecap'>PATREON</a> family for bonus perks!</p>
|
||||
|
||||
<p>- Get your <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>TBR merch</a></p>
|
||||
|
||||
<p>- <a href='http://thebiblerecap.com/contact'>Show credits</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>FROM TODAY’S PODCAST: </p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=John+15%3A1-11&version=ESV'>John 15:1-11</a></p>
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<p>- Article 1 of 8: <a href='https://www.desiringgod.org/articles/five-reasons-i-believe-romans-11-26-means-a-future-conversion-for-israel'>Five Reasons I Believe Romans 11:26 Means a Future Conversion for Israel</a></p>
|
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<p>- Article 2 of 8: <a href='https://www.oneforisrael.org/bible-based-teaching-from-israel/bible-teachings/what-does-it-mean-that-all-israel-will-be-saved/'>What Does It Mean That All Israel Will Be Saved?</a></p>
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<p>- Article 3 of 8: <a href='https://themelios.thegospelcoalition.org/review/perspectives-on-israel-and-the-church-4-views/'>Perspectives on Israel and the Church: 4 Views</a></p>
|
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|
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<p>- Article 4 of 8: <a href='https://www.gotquestions.org/Bible-remnant.html'>What Does The Bible Mean When It Refers to a Remnant?</a></p>
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|
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<p>- Article 5 of 8: <a href='https://www.gotquestions.org/replacement-theology.html'>What is Replacement Theology/Supersessionism?</a></p>
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<p>- Article 6 of 8: <a href='https://www.ligonier.org/learn/articles/the-church-and-israel-in-the-new-testament/'>The Church and Israel in the New Testament</a></p>
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<p>- Article 7 of 8: <a href='https://www.hebrew4christians.com/Articles/Israel/israel.html'>Israel and the Church: Understanding Some Theological Options</a></p>
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<p>- Article 8 of 8: <a href='https://www.tovrose.com/2016/10/11/church-missing-understanding-remnant-theology-romans-96-8-111-7/'>What Your Church is Missing: Understanding Remnant Theology</a></p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=titus+3%3A1&version=ESV'>Titus 3:1</a></p>
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|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=1+peter+2%3A13&version=ESV'>1 Peter 2:13</a></p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=john+13%3A34&version=ESV'>John 13:34</a></p>
|
||||
|
||||
<p>- <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>The Bible Recap Store</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>SOCIALS:</p>
|
||||
|
||||
<p>The Bible Recap:<a href='https://instagram.com/thebiblerecap'> Instagram</a> |<a href='https://www.facebook.com/thebiblerecap'> Facebook</a> |<a href='https://twitter.com/thebiblerecap'> Twitter</a></p>
|
||||
|
||||
<p>D-Group:<a href='https://instagram.com/mydgroup/'> Instagram</a> |<a href='https://www.facebook.com/ilovemydgroup'> Facebook</a> |<a href='https://mobile.twitter.com/mydgroup'> Twitter</a></p>
|
||||
|
||||
<p>TLC:<a href='https://instagram.com/taraleighcobble'> Instagram</a> |<a href='https://www.facebook.com/taraleighcobble'> Facebook</a> |<a href='https://twitter.com/taraleighcobble'> Twitter</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>D-GROUP:
|
||||
The Bible Recap is brought to you by<a href='https://www.mydgroup.org/'> D-Group</a> - an international network of discipleship and accountability groups that meet weekly in homes and churches:<a href='https://www.mydgroup.org/map'> Find or start one near you today</a>!</p>
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<p class="text">SMcK: I don’t know about you, but these are timely words for me.</p>
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<p class="text">Advent in Contested Territory: God with us</p>
|
||||
<p class="text">By <a href="https://heatherhartwrites.com/" target="_blank" class="">Heather L. Hart</a></p>
|
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<p class="text">Only distance could save us.</p>
|
||||
<p class="text">A tiny, nonliving entity, with the power to kill, invaded bodies and sent us fleeing. Safety was separation, community was danger. Quarantine defined life. It was necessary to detach so we might live. All was beyond our control. Where was God in our death, isolation, division, and fear</p>
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||||
<p class="text">Christians enter the season of Advent knowing that Jesus, the God-Human, came to rescue the world. A world overrun by inescapable darkness: God’s good creation was the occupied territory of Sin and Death. The people of God longed for God’s promised intervention. Hope for liberation persisted.</p>
|
||||
<p class="text">Jesus is God’s deliverance: the rescuing Savior, the chosen Messiah, the ruling Lord.<a href="#_ftn1" target="_blank" class="">[1]</a> His purpose was to <em>“bring good news to the poor… proclaim release to the captives and sight to the blind, to let the oppressed go free, to proclaim the year of the Lord’s favor.”<a href="#_ftn2" target="_blank" class=""><strong>[2]</strong></a></em> The inescapable darkness became more than merely escapable. The reigning control of Sin and Death was utterly severed by Jesus’ life, death, and resurrection.</p>
|
||||
<p class="text">And yet.</p>
|
||||
<p class="text">And yet, we are overrun by a pandemic. We are overrun by violence, scarcity, bigotry, lies – we are even overrun by our own selves. Our wants, desires, ways of thinking and living, continually spiral away from God.<a href="#_ftn3" target="_blank" class="">[3]</a> The darkness is very real, very near.</p>
|
||||
<p class="text">Advent looks at Jesus’ arrival and sees the approaching liberation from Sin and Death. Advent aches for Christmas because Easter is breathtaking. Advent represents the longing for God’s intervention 2000 years ago, but it also represents our longing for ...</p><p class="more"><a href="https://www.christianitytoday.com/scot-mcknight/2021/december/advent-in-contested-territory-god-with-us.html">Continue reading</a>...</p>
|
||||
<p><br /><a href="https://rss.beaconads.com/click.php?z=1289806&k=c779018782158d93282944b4f7dd4d03&a=191311&c=76830096" target="_blank"><img src="https://rss.beaconads.com/img.php?z=1289806&k=c779018782158d93282944b4f7dd4d03&a=191311&c=76830096" border="0" alt="" /></a></p>
|
||||
|
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1
|
||||
|
||||
|
||||
|
||||
|
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@ -0,0 +1,35 @@
|
|||
<p>SHOW NOTES: </p>
|
||||
|
||||
<p>- All the info you need to START is on our <a href='http://www.thebiblerecap.com'>website</a>!
|
||||
- Join our <a href='https://www.patreon.com/thebiblerecap'>PATREON</a> family for bonus perks!</p>
|
||||
|
||||
<p>- Get your <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>TBR merch</a></p>
|
||||
|
||||
<p>- <a href='http://thebiblerecap.com/contact'>Show credits</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>FROM TODAY’S PODCAST: </p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=Jeremiah+7&version=ESV'>Jeremiah 7</a></p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=Deuteronomy+18%3A15-22&version=ESV'>Deuteronomy 18:15-22</a></p>
|
||||
|
||||
<p>- Image: <a href='https://qph.fs.quoracdn.net/main-qimg-4c2fb38a1c8e75f641ea2251b422e451-c'>Yoke</a></p>
|
||||
|
||||
<p>- Check out The Bible Recap’s <a href='http://www.thebiblerecap.com/faq'>FAQ</a> page!</p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>SOCIALS:</p>
|
||||
|
||||
<p>The Bible Recap:<a href='https://instagram.com/thebiblerecap'> Instagram</a> |<a href='https://www.facebook.com/thebiblerecap'> Facebook</a> |<a href='https://twitter.com/thebiblerecap'> Twitter</a></p>
|
||||
|
||||
<p>D-Group:<a href='https://instagram.com/mydgroup/'> Instagram</a> |<a href='https://www.facebook.com/ilovemydgroup'> Facebook</a> |<a href='https://mobile.twitter.com/mydgroup'> Twitter</a></p>
|
||||
|
||||
<p>TLC:<a href='https://instagram.com/taraleighcobble'> Instagram</a> |<a href='https://www.facebook.com/taraleighcobble'> Facebook</a> |<a href='https://twitter.com/taraleighcobble'> Twitter</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>D-GROUP:
|
||||
The Bible Recap is brought to you by<a href='https://www.mydgroup.org/'> D-Group</a> - an international network of discipleship and accountability groups that meet weekly in homes and churches:<a href='https://www.mydgroup.org/map'> Find or start one near you today</a>!</p>
|
||||
|
|
@ -0,0 +1,31 @@
|
|||
<p>SHOW NOTES: </p>
|
||||
|
||||
<p>- All the info you need to START is on our <a href='http://www.thebiblerecap.com'>website</a>! Seriously, go there.
|
||||
</p>
|
||||
|
||||
<p>- Join our <a href='https://www.patreon.com/thebiblerecap'>PATREON</a> community for bonus perks!</p>
|
||||
|
||||
<p>- Get your <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>TBR merch</a></p>
|
||||
|
||||
<p>- <a href='http://thebiblerecap.com/contact'>Show credits</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>FROM TODAY’S PODCAST: </p>
|
||||
|
||||
<p>- Video: <a href='https://www.youtube.com/watch?v=IJ-FekWUZzE'>Leviticus Overview</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>SOCIALS:</p>
|
||||
|
||||
<p>The Bible Recap:<a href='https://instagram.com/thebiblerecap'> Instagram</a> |<a href='https://www.facebook.com/thebiblerecap'> Facebook</a> |<a href='https://twitter.com/thebiblerecap'> Twitter</a></p>
|
||||
|
||||
<p>D-Group:<a href='https://instagram.com/mydgroup/'> Instagram</a> |<a href='https://www.facebook.com/ilovemydgroup'> Facebook</a> |<a href='https://mobile.twitter.com/mydgroup'> Twitter</a></p>
|
||||
|
||||
<p>TLC:<a href='https://instagram.com/taraleighcobble'> Instagram</a> |<a href='https://www.facebook.com/taraleighcobble'> Facebook</a> |<a href='https://twitter.com/taraleighcobble'> Twitter</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>D-GROUP:
|
||||
The Bible Recap is brought to you by<a href='https://www.mydgroup.org/'> D-Group</a> - an international network of discipleship and accountability groups that meet weekly in homes and churches:<a href='https://www.mydgroup.org/map'> Find or start one near you today</a>!</p>
|
||||
|
|
@ -0,0 +1 @@
|
|||
<!-- SC_OFF --><div class="md"><p>I used to be able to program this arduino board (pro micro; also known as leonardo). However; i'm unable to access it from usb using archlinux anymore.</p> <p>I used to use <code>avrdude -p atmgea34u4 -P "$(ls /dev/ttyACM*)" -c avr109 -D -U flash:w:myhexfile.hex</code> to flash; and when i put the board in bootloader mode it would appear as <code>/dev/ttyACM0</code>. It has caterina bootloader. I tried to again and I cannot see the device in /dev anymore while in bootloader mode.</p> <p>Did anyone run into similar issues with arduino boards? I can flash other devices with dfu just fine.</p> </div><!-- SC_ON -->   submitted by   <a href="https://www.reddit.com/user/aLizardInTheSky"> /u/aLizardInTheSky </a> <br/> <span><a href="https://www.reddit.com/r/archlinux/comments/pp6ol9/cant_flash_arduino_device_anymore_on_archlinux/">[link]</a></span>   <span><a href="https://www.reddit.com/r/archlinux/comments/pp6ol9/cant_flash_arduino_device_anymore_on_archlinux/">[comments]</a></span>
|
||||
|
|
@ -0,0 +1 @@
|
|||
John Locke’s Two Treatises of Government Chapter 11 paused. The best video to sum up what happened in the election and an article we need to listen to. Show Marketing Powered By: Better Three Group Click Here to find out more or go to betterthreegroup.com For Advertising your business email Matt at matt@howtobuildatent.com GAB: @mattwilliams […]
|
||||
|
|
@ -0,0 +1,37 @@
|
|||
<p>SHOW NOTES: </p>
|
||||
|
||||
<p>- All the info you need to START is on our <a href='http://www.thebiblerecap.com'>website</a>! Seriously, go there.
|
||||
</p>
|
||||
|
||||
<p>- Join our <a href='https://www.patreon.com/thebiblerecap'>PATREON</a> community for bonus perks!</p>
|
||||
|
||||
<p>- Get your <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>TBR merch</a></p>
|
||||
|
||||
<p>- <a href='http://thebiblerecap.com/contact'>Show credits</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>FROM TODAY’S PODCAST: </p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=Luke+19%3A41-44&version=ESV'>Luke 19:41-44</a></p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=John+2%3A19-22&version=ESV'>John 2:19-22</a></p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=matthew+24%3A14&version=ESV'>Matthew 24:14</a></p>
|
||||
|
||||
<p>- <a href='https://www.mydgroup.org/promo'>D-Group Promo Video</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>SOCIALS:</p>
|
||||
|
||||
<p>The Bible Recap:<a href='https://instagram.com/thebiblerecap'> Instagram</a> |<a href='https://www.facebook.com/thebiblerecap'> Facebook</a> |<a href='https://twitter.com/thebiblerecap'> Twitter</a></p>
|
||||
|
||||
<p>D-Group:<a href='https://instagram.com/mydgroup/'> Instagram</a> |<a href='https://www.facebook.com/ilovemydgroup'> Facebook</a> |<a href='https://mobile.twitter.com/mydgroup'> Twitter</a></p>
|
||||
|
||||
<p>TLC:<a href='https://instagram.com/taraleighcobble'> Instagram</a> |<a href='https://www.facebook.com/taraleighcobble'> Facebook</a> |<a href='https://twitter.com/taraleighcobble'> Twitter</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>D-GROUP:
|
||||
The Bible Recap is brought to you by<a href='https://www.mydgroup.org/'> D-Group</a> - an international network of discipleship and accountability groups that meet weekly in homes and churches:<a href='https://www.mydgroup.org/map'> Find or start one near you today</a>!</p>
|
||||
142
var/elfeed/db/data/a4/a4367a92682d1e098920bd9904c02156b84c30ef
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142
var/elfeed/db/data/a4/a4367a92682d1e098920bd9904c02156b84c30ef
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|
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<p>I was asked whether it would be possible to reproduce this aesthetic:
|
||||
<a href="https://lepisma.xyz/2017/10/28/ricing-org-mode/">https://lepisma.xyz/2017/10/28/ricing-org-mode/</a></p>
|
||||
|
||||
<p>I do not want to use <code>writeroom-mode</code> because it assumes far more things
|
||||
than the narrower-in-scope <code>olivetti-mode</code>. So I am sticking with the
|
||||
tools I presented in my last two videos:</p>
|
||||
|
||||
<ul>
|
||||
<li><a href="https://protesilaos.com/codelog/2020-07-16-emacs-focused-editing/">Emacs: configuring mixed fonts in Org mode</a></li>
|
||||
<li><a href="https://protesilaos.com/codelog/2020-07-17-emacs-mixed-fonts-org/">“Focused editing” tools for Emacs</a></li>
|
||||
</ul>
|
||||
|
||||
<h2>Screenshots</h2>
|
||||
|
||||
<p>So here are my two themes, Modus Operandi and Modus Vivendi, showcasing
|
||||
the result.</p>
|
||||
|
||||
<p><strong>Remember to visit the image’s direct link</strong> to see it full size. The
|
||||
smaller view may distort some of its details. Also bear in mind that
|
||||
<em>this is a proof-of-concept</em> that is done on an existing document. I
|
||||
did not prepare a fake environment that would make things look good.</p>
|
||||
|
||||
<p><img alt="Modus Operandi single window" src="https://protesilaos.com/assets/images/attachments/modus-operandi-org-focus-demo-single-2020-07-18.png" /></p>
|
||||
|
||||
<p><img alt="Modus Operandi side-by-side windows" src="https://protesilaos.com/assets/images/attachments/modus-operandi-org-focus-demo-dual-2020-07-18.png" /></p>
|
||||
|
||||
<p><img alt="Modus Vivendi single window" src="https://protesilaos.com/assets/images/attachments/modus-vivendi-org-focus-demo-single-2020-07-18.png" /></p>
|
||||
|
||||
<p><img alt="Modus Vivendi side-by-side windows" src="https://protesilaos.com/assets/images/attachments/modus-vivendi-org-focus-demo-dual-2020-07-18.png" /></p>
|
||||
|
||||
<p>Note that here I also enable a few theme-specific customisation options,
|
||||
such as scaled headings and distinct org blocks (there are <em>a lot of
|
||||
options</em>). For Org blocks, you may also consider the “rainbow” symbol
|
||||
that you can pass to the relevant variable (check <a href="https://gitlab.com/protesilaos/modus-themes">the project’s
|
||||
README</a>), which applies a
|
||||
colour-coded background on a per-programming-language basis (useful for
|
||||
those who work with multiple languages in an Org buffer).</p>
|
||||
|
||||
<h2>The new state of affairs</h2>
|
||||
|
||||
<p>Overview of what is new for this proof-of-concept when
|
||||
<code>prot/olivetti-mode</code> is enabled:</p>
|
||||
|
||||
<ul>
|
||||
<li>Hides the leading stars from Org headings. This is done by enabling
|
||||
<code>org-superstar-mode</code> and by making sure that the heading marks are
|
||||
empty, thus: <code>(setq org-superstar-headline-bullets-list '(" "))</code></li>
|
||||
<li>Configures the built-in <code>window-divider-mode</code> to draw 1px wide borders
|
||||
to the bottom and right sides of the windows.</li>
|
||||
</ul>
|
||||
|
||||
<p>To make the text look more book-like, I use the <a href="https://huertatipografica.com/en/fonts/alegreya-ht-pro">Alegreya font by Huerta
|
||||
Typografica</a>,
|
||||
employing the methods I already explained in my video for mixing fonts.</p>
|
||||
|
||||
<p>If you want to force Olivetti to push the contents of the buffer off
|
||||
centre, you could increase the values of <code>olivetti-body-width</code> and/or
|
||||
<code>olivetti-minimum-body-width</code> variable. That would, however, not
|
||||
produce a good effect when you have two windows side-by-side, so please
|
||||
experiment accordingly.</p>
|
||||
|
||||
<p>For me this result is <em>prima facie</em> both usable and visually pleasing.
|
||||
If you really want to control more things with padding, then do consider
|
||||
<code>writeroom-mode</code> instead of <code>olivetti-mode</code>.</p>
|
||||
|
||||
<p>If you wish to use the Modus themes but tweak some of their colours,
|
||||
then I have good news for you: it is possible and supported! Check the
|
||||
README for the tools that the themes provide.</p>
|
||||
|
||||
<h2>New code snippets</h2>
|
||||
|
||||
<p>Below are the little extras you would need (always in addition to what I
|
||||
covered in the last two videos). I already had configurations for
|
||||
those, but I tweaked them a bit for the sake of this demo:</p>
|
||||
|
||||
<pre><code class="language-elisp">(use-package org-superstar ; supersedes `org-bullets'
|
||||
:ensure
|
||||
:after org
|
||||
:config
|
||||
(setq org-superstar-remove-leading-stars t)
|
||||
(setq org-superstar-headline-bullets-list '(" ")) ;; '("🞛" "◉" "○" "▷")
|
||||
(setq org-superstar-item-bullet-alist
|
||||
'((?+ . ?•)
|
||||
(?* . ?➤)
|
||||
(?- . ?–)))
|
||||
(org-superstar-mode -1))
|
||||
|
||||
(use-package emacs
|
||||
:config
|
||||
(setq window-divider-default-right-width 1)
|
||||
(setq window-divider-default-bottom-width 1)
|
||||
(setq window-divider-default-places t)
|
||||
(window-divider-mode -1))
|
||||
</code></pre>
|
||||
|
||||
<p>And this is the new <code>prot/olivetti-mode</code>:</p>
|
||||
|
||||
<pre><code class="language-elisp">(use-package olivetti
|
||||
:ensure
|
||||
:diminish
|
||||
:config
|
||||
(setq olivetti-body-width 0.65)
|
||||
(setq olivetti-minimum-body-width 72)
|
||||
(setq olivetti-recall-visual-line-mode-entry-state t)
|
||||
|
||||
(define-minor-mode prot/olivetti-mode
|
||||
"Toggle buffer-local `olivetti-mode' with additional parameters.
|
||||
|
||||
Fringes are disabled. The modeline is hidden, except for
|
||||
`prog-mode' buffers (see `prot/hidden-mode-line-mode'). The
|
||||
default typeface is set to a proportionately-spaced family,
|
||||
except for programming modes (see `prot/variable-pitch-mode').
|
||||
The cursor becomes a blinking bar, per `prot/cursor-type-mode'."
|
||||
:init-value nil
|
||||
:global nil
|
||||
(if prot/olivetti-mode
|
||||
(progn
|
||||
(olivetti-mode 1)
|
||||
(set-window-fringes (selected-window) 0 0)
|
||||
(prot/variable-pitch-mode 1)
|
||||
(prot/cursor-type-mode 1)
|
||||
(unless (derived-mode-p 'prog-mode)
|
||||
(prot/hidden-mode-line-mode 1))
|
||||
(window-divider-mode 1)
|
||||
(when (eq major-mode 'org-mode)
|
||||
(org-superstar-mode 1)))
|
||||
(olivetti-mode -1)
|
||||
(set-window-fringes (selected-window) nil) ; Use default width
|
||||
(prot/variable-pitch-mode -1)
|
||||
(prot/cursor-type-mode -1)
|
||||
(unless (derived-mode-p 'prog-mode)
|
||||
(prot/hidden-mode-line-mode -1))
|
||||
(window-divider-mode -1)
|
||||
(when (eq major-mode "org-mode")
|
||||
(org-superstar-mode -1))))
|
||||
|
||||
:bind ("C-c o" . prot/olivetti-mode))
|
||||
</code></pre>
|
||||
|
||||
|
||||
|
|
@ -0,0 +1,48 @@
|
|||
<p>This week we see how far we can push Linux! Can you use Linux in a professional photo workflow? How about High Resolution Audio?</p>
|
||||
|
||||
<p>We take your calls & interview industry audio expert Bob Carver.</p>
|
||||
|
||||
<h3><strong>-- The Cliff Notes --</strong></h3>
|
||||
|
||||
<ul>
|
||||
<li><a href="https://launchpad.net/%7Estarws-box/+archive/ubuntu/deadbeef-player" rel="nofollow">High Resolution Audio Player</a></li>
|
||||
<li><a href="http://amzn.to/2DaUPG4" rel="nofollow">Linux Compatible DAC</a></li>
|
||||
<li><a href="https://r3dux.org/2013/12/how-to-enable-high-quality-audio-in-linux/" rel="nofollow">Enable High Quality Audio in LInux</a></li>
|
||||
<li><a href="https://warmleftovers.com/2012/08/05/no-flac-does-not-sound-better-and-you-are-not-an-audiophile-because-you-use-it-heres-what-it-actually-is-and-why-its-important/" rel="nofollow">Why FLAC is Important</a></li>
|
||||
<li><a href="https://www.monoprice.com/product?c_id=108&cp_id=10823&cs_id=1082302&p_id=8323&seq=1&format=2" rel="nofollow">Best Inexpensive Headphones</a></li>
|
||||
<li><a href="https://www.themasterswitch.com/audio-formats-explained" rel="nofollow">Audio Formats Explained</a></li>
|
||||
<li><a href="https://www.cambridgeaudio.com/usa/en/blog/what-dsd" rel="nofollow">What is DSD</a></li>
|
||||
<li><a href="https://www.youtube.com/watch?v=ktSHaQEdb58" rel="nofollow">Mike Posner and Benny Blanco make "Please Don't Go" - YouTube</a></li>
|
||||
<li><a href="https://www.youtube.com/watch?v=6CkKku1JAe8" rel="nofollow">See How the Ask Noah Show Got Started (video)</a></li>
|
||||
<li><a href="http://www.voxtelesys.com" rel="nofollow">VoxTeleSys</a></li>
|
||||
</ul>
|
||||
|
||||
<h3><strong>-- Stay In Touch --</strong></h3>
|
||||
|
||||
<p><strong>Find all the resources for this show on the Ask Noah Dashboard</strong></p>
|
||||
|
||||
<blockquote>
|
||||
<p><a href="http://www.asknoahshow.com" rel="nofollow">Ask Noah Dashboard</a></p>
|
||||
</blockquote>
|
||||
|
||||
<p><strong>Need more help than a radio show can offer? Altispeed provides commercial IT services and they’re excited to offer you a great deal for listening to the Ask Noah Show. Call today and ask about the discount for listeners of the Ask Noah Show!</strong></p>
|
||||
|
||||
<blockquote>
|
||||
<p><a href="http://www.altispeed.com/" rel="nofollow">Altispeed Technologies</a></p>
|
||||
</blockquote>
|
||||
|
||||
<p><strong>Contact Noah</strong></p>
|
||||
|
||||
<blockquote>
|
||||
<p>asknoah [at] jupiterbroadcasting.com</p>
|
||||
</blockquote>
|
||||
|
||||
<p><strong>-- Twitter --</strong></p>
|
||||
|
||||
<ul>
|
||||
<li><a href="https://twitter.com/kernellinux" rel="nofollow">Noah - Kernellinux</a></li>
|
||||
<li><a href="https://twitter.com/asknoahshow" rel="nofollow">Ask Noah Show</a></li>
|
||||
<li><a href="https://twitter.com/altispeed" rel="nofollow">Altispeed Technologies</a></li>
|
||||
<li><a href="https://twitter.com/jbsignal" rel="nofollow">Jupiter Broadcasting</a></li>
|
||||
</ul><p><a href="https://patreon.com/linuxdelta" rel="payment">Support Ask Noah Show</a></p>
|
||||
|
||||
|
|
@ -0,0 +1,36 @@
|
|||
<p>SHOW NOTES: </p>
|
||||
|
||||
<p>- All the info you need to START is on our <a href='http://www.thebiblerecap.com'>website</a>! </p>
|
||||
|
||||
<p>- Join our <a href='https://www.patreon.com/thebiblerecap'>PATREON</a> family for bonus perks!</p>
|
||||
|
||||
<p>- Get your <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>TBR merch</a></p>
|
||||
|
||||
<p>- <a href='http://thebiblerecap.com/contact'>Show credits</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>FROM TODAY’S PODCAST: </p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=Philippians+2%3A13&version=ESV'>Philippians 2:13</a></p>
|
||||
|
||||
<p>- <a href='https://www.biblegateway.com/passage/?search=2+kings+18%3A4&version=ESV'>2 Kings 18:4</a></p>
|
||||
|
||||
<p>- Video: <a href='https://www.youtube.com/watch?v=kE6SZ1ogOVU'>Hosea Overview</a></p>
|
||||
|
||||
<p>- Join our <a href='https://www.patreon.com/thebiblerecap'>Patreon Discussion Group</a> for just $3/mo. </p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>SOCIALS:</p>
|
||||
|
||||
<p>The Bible Recap:<a href='https://instagram.com/thebiblerecap'> Instagram</a> |<a href='https://www.facebook.com/thebiblerecap'> Facebook</a> |<a href='https://twitter.com/thebiblerecap'> Twitter</a></p>
|
||||
|
||||
<p>D-Group:<a href='https://instagram.com/mydgroup/'> Instagram</a> |<a href='https://www.facebook.com/ilovemydgroup'> Facebook</a> |<a href='https://mobile.twitter.com/mydgroup'> Twitter</a></p>
|
||||
|
||||
<p>TLC:<a href='https://instagram.com/taraleighcobble'> Instagram</a> |<a href='https://www.facebook.com/taraleighcobble'> Facebook</a> |<a href='https://twitter.com/taraleighcobble'> Twitter</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>D-GROUP:
|
||||
The Bible Recap is brought to you by<a href='https://www.mydgroup.org/'> D-Group</a> - an international network of discipleship and accountability groups that meet weekly in homes and churches:<a href='https://www.mydgroup.org/map'> Find or start one near you today</a>!</p>
|
||||
|
|
@ -0,0 +1 @@
|
|||
<table> <tr><td> <a href="https://www.reddit.com/r/unixporn/comments/r5u3c7/openbox_do_anyone_know_how_to_replicate_this/"> <img src="https://preview.redd.it/bx9yc3c82s281.png?width=640&crop=smart&auto=webp&s=501585aa599e66a4eae019463ac966cad511f327" alt="[openbox] do anyone know how to replicate this??" title="[openbox] do anyone know how to replicate this??" /> </a> </td><td>   submitted by   <a href="https://www.reddit.com/user/anickagatari"> /u/anickagatari </a> <br/> <span><a href="https://i.redd.it/bx9yc3c82s281.png">[link]</a></span>   <span><a href="https://www.reddit.com/r/unixporn/comments/r5u3c7/openbox_do_anyone_know_how_to_replicate_this/">[comments]</a></span> </td></tr></table>
|
||||
|
|
@ -0,0 +1,76 @@
|
|||
<p>Two weeks without Magit<sup id="fnref:1"><a class="footnote" href="https://www.manueluberti.eu/feed#fn:1" rel="footnote">1</a></sup> have forced me to rethink how I use Git in my
|
||||
projects. I have already written about <a href="https://www.manueluberti.eu/emacs/2021/11/27/vc/">some
|
||||
commands</a> I have been using,
|
||||
but beside basic things, how does Emacs hold up in a more complex situation?</p>
|
||||
|
||||
<p>Let’s talk about interactive rebasing. If you are familiar with Magit<sup id="fnref:2"><a class="footnote" href="https://www.manueluberti.eu/feed#fn:2" rel="footnote">2</a></sup>, you
|
||||
know how simple it gets. This is what I usually do from <code class="language-plaintext highlighter-rouge">magit-status</code>:</p>
|
||||
|
||||
<ul>
|
||||
<li><kbd>l</kbd> for <code class="language-plaintext highlighter-rouge">magit-log</code></li>
|
||||
<li><kbd>l</kbd> for <code class="language-plaintext highlighter-rouge">current</code></li>
|
||||
<li><kbd>n</kbd> as many times as needed to move to the commit I want to start
|
||||
rebasing with</li>
|
||||
<li><kbd>r</kbd> for <code class="language-plaintext highlighter-rouge">magit-rebase</code></li>
|
||||
<li><kbd>i</kbd> for <code class="language-plaintext highlighter-rouge">interactive</code></li>
|
||||
<li><kbd>s</kbd> on the commits I want to squash</li>
|
||||
<li><kbd>C-c C-c</kbd> to confirm</li>
|
||||
<li>write the commit message I want</li>
|
||||
<li><kbd>C-c C-c</kbd> to confirm</li>
|
||||
<li><kbd>P</kbd> and <kbd>-f</kbd> to push with <code class="language-plaintext highlighter-rouge">--force-with-lease</code> enabled</li>
|
||||
</ul>
|
||||
|
||||
<p>It’s quicker to do it than to write it all down, especially now that it has
|
||||
become muscle memory. No wonder I was still relying on Magit to interactively
|
||||
rebase on my first days with VC.</p>
|
||||
|
||||
<p>Since I did not find a similar solution in <code class="language-plaintext highlighter-rouge">vc-git</code>, I asked on <code class="language-plaintext highlighter-rouge">emacs-devel</code>
|
||||
how the core developers approach this workflow<sup id="fnref:3"><a class="footnote" href="https://www.manueluberti.eu/feed#fn:3" rel="footnote">3</a></sup>. I got different, interesting
|
||||
replies that can be roughly summed up with:</p>
|
||||
|
||||
<ul>
|
||||
<li>bare command line</li>
|
||||
<li><code class="language-plaintext highlighter-rouge">helm-ls-git</code></li>
|
||||
<li>custom code</li>
|
||||
</ul>
|
||||
|
||||
<p>Not wanted to be scared away from a non-Magit option, this is what I
|
||||
have eventually ended up doing:</p>
|
||||
|
||||
<ul>
|
||||
<li>in <code class="language-plaintext highlighter-rouge">shell-mode</code>, I run <code class="language-plaintext highlighter-rouge">git rebase -i <branch>~<commits></code></li>
|
||||
<li>in the buffer that opens up I type <code class="language-plaintext highlighter-rouge">squash</code> on the commits I want to squash</li>
|
||||
<li><kbd>C-x C-s</kbd></li>
|
||||
<li><kbd>C-x k RET</kbd></li>
|
||||
<li>in the buffer with the commit message I edit the text as I wish</li>
|
||||
<li><kbd>C-x C-s</kbd></li>
|
||||
<li><kbd>C-x k RET</kbd></li>
|
||||
<li>either I run <code class="language-plaintext highlighter-rouge">git push --force-with-lease</code> from <code class="language-plaintext highlighter-rouge">shell-mode</code>, or <kbd>C-u
|
||||
P</kbd> from <kbd>C-x p v</kbd> to push with <code class="language-plaintext highlighter-rouge">--force-with-lease</code> added
|
||||
manually</li>
|
||||
</ul>
|
||||
|
||||
<p>Note that this approach requires that in <code class="language-plaintext highlighter-rouge">~/.config/git/config</code> I have <code class="language-plaintext highlighter-rouge">editor</code>
|
||||
set to <code class="language-plaintext highlighter-rouge">emacsclient</code> and either I have <code class="language-plaintext highlighter-rouge">server-start</code> somewhere in my <code class="language-plaintext highlighter-rouge">init.el</code>
|
||||
or I do <kbd>M-x server-start</kbd> before starting the actual rebase.</p>
|
||||
|
||||
<p>It looks like that even without Magit I can do everything from Emacs, which
|
||||
makes for a good alternative in my opinion. Nonetheless, it does not take a PhD
|
||||
to notice that Magit makes the whole rebasing easier to sort out. Hence, you
|
||||
will not hear me scream “<em>drop it already and party hard, fellas!</em>”. Sorry.</p>
|
||||
|
||||
<h3 id="notes">Notes</h3>
|
||||
|
||||
<div class="footnotes">
|
||||
<ol>
|
||||
<li id="fn:1">
|
||||
<p>Not entirely true, but keep reading. <a class="reversefootnote" href="https://www.manueluberti.eu/feed#fnref:1">↩</a></p>
|
||||
</li>
|
||||
<li id="fn:2">
|
||||
<p>Who isn’t in this day and age? <a class="reversefootnote" href="https://www.manueluberti.eu/feed#fnref:2">↩</a></p>
|
||||
</li>
|
||||
<li id="fn:3">
|
||||
<p><a href="https://lists.gnu.org/archive/html/emacs-devel/2021-12/msg00238.html" target="_blank">vc-git: interactive rebasing</a>. <a class="reversefootnote" href="https://www.manueluberti.eu/feed#fnref:3">↩</a></p>
|
||||
</li>
|
||||
</ol>
|
||||
</div>
|
||||
296
var/elfeed/db/data/a4/a47cb09576bf6d073d2da94f59bcf17f539e7b6b
Normal file
296
var/elfeed/db/data/a4/a47cb09576bf6d073d2da94f59bcf17f539e7b6b
Normal file
|
|
@ -0,0 +1,296 @@
|
|||
|
||||
|
||||
<p>The “Modus themes” are a pair of themes for Emacs that conform with the
|
||||
WCAG AAA accessibility standard for colour contrast between background
|
||||
and foreground values. This is the highest standard of its kind for
|
||||
making text readable, representing a minimum contrast ratio of 7:1.</p>
|
||||
|
||||
<p>There is a light and a dark theme. The former is called “Modus
|
||||
Operandi”, while the latter is “Modus Vivendi”.</p>
|
||||
|
||||
<p>In this article I document the principles that inform my decision-making
|
||||
in the design of these themes, though the insights apply more generally.</p>
|
||||
|
||||
<p>If you want to see how the themes look in practice, you can watch some
|
||||
of my <a href="https://protesilaos.com/code-casts/">videos on Emacs</a> or refer to
|
||||
this <a href="https://protesilaos.com/emacs/modus-themes-pictures">collection of screenshots</a>.</p>
|
||||
|
||||
<h2>What is colour</h2>
|
||||
|
||||
<p>For our purposes, “colour” is the amalgamation of three distinct
|
||||
channels of light: red, green, blue. By combining them in different
|
||||
amounts we get what we understand as orange, turquoise, violet, etc.</p>
|
||||
|
||||
<p>Red, in the sense of “pure red”, is a combination of the three channels
|
||||
of light where only the red component is at its fullest, while the
|
||||
others are contributing nothing. Same for the other colours that
|
||||
correspond to the remaining light channels.</p>
|
||||
|
||||
<p>White, in its purest, is the combination of the three channels with each
|
||||
contributing as much as possible. Whereas black is derived by having
|
||||
the channels contribute zero.</p>
|
||||
|
||||
<p>Couched in those terms, white and black are “colours” (in other domains
|
||||
they are described as “tones” that produce “tints” or “shades” when
|
||||
combined with hues).</p>
|
||||
|
||||
<p>I distinguish between “base” and “accent” values. The grey scale is
|
||||
part of the base group, while any other colour that derives from the
|
||||
accentuation of one or two light channels belongs to the accent’s group.</p>
|
||||
|
||||
<p>At its core, a palette consists of eight colours. Six accents plus
|
||||
white and black. The six are: red, green, blue, yellow, cyan, magenta.</p>
|
||||
|
||||
<p>To be clear about the accents that result from the three channels of
|
||||
light, consider these possibilities:</p>
|
||||
|
||||
<pre><code>red + green = yellow
|
||||
green + blue = cyan
|
||||
blue + red = magenta
|
||||
</code></pre>
|
||||
|
||||
<h2>Colour notation</h2>
|
||||
|
||||
<p>The total number of colours is a function of the amount that each
|
||||
channel of light can accept. With current technology this is 256, which
|
||||
means:</p>
|
||||
|
||||
<pre><code>256 × 256 × 256 = 16,777,216
|
||||
</code></pre>
|
||||
|
||||
<p>We can represent a colour using zero-based decimal notation, so values
|
||||
from 0 to 255 for each channel of light (e.g. <code>255,0,0</code> is pure red), or
|
||||
we can use hexadecimal notation, where possible values are 0-9 and a-f
|
||||
with each of the RGB channels having either one or two entries.</p>
|
||||
|
||||
<p>A hexadecimal representation of <code>#f00</code> is interpreted as equivalent to
|
||||
<code>#ff0000</code>. To avoid confusion and allow for more possible combinations,
|
||||
I always use the six-digit-long format.</p>
|
||||
|
||||
<h2>Choosing colours</h2>
|
||||
|
||||
<p>The design of the palette’s main colours is governed by the inherent
|
||||
luminance of the six primary accent values. The following table shows
|
||||
the contrast ratio of each of them relative to pure white and pure black
|
||||
respectively. The colour values are written in hexadecimal RGB notation
|
||||
with <code>#ffffff</code> representing the maximum (white) and <code>#000000</code> the
|
||||
minimum (black).</p>
|
||||
|
||||
<table>
|
||||
<thead>
|
||||
<tr>
|
||||
<th>Hexadecimal (name)</th>
|
||||
<th>ffffff (white)</th>
|
||||
<th>000000 (black)</th>
|
||||
</tr>
|
||||
</thead>
|
||||
<tbody>
|
||||
<tr>
|
||||
<td>ff0000 (red)</td>
|
||||
<td>3.99</td>
|
||||
<td>5.25</td>
|
||||
</tr>
|
||||
<tr>
|
||||
<td>00ff00 (green)</td>
|
||||
<td>1.37</td>
|
||||
<td>15.3</td>
|
||||
</tr>
|
||||
<tr>
|
||||
<td>0000ff (blue)</td>
|
||||
<td>8.59</td>
|
||||
<td>2.44</td>
|
||||
</tr>
|
||||
<tr>
|
||||
<td>ffff00 (yellow)</td>
|
||||
<td>1.07</td>
|
||||
<td>19.5</td>
|
||||
</tr>
|
||||
<tr>
|
||||
<td>00ffff (cyan)</td>
|
||||
<td>1.25</td>
|
||||
<td>16.7</td>
|
||||
</tr>
|
||||
<tr>
|
||||
<td>ff00ff (magenta)</td>
|
||||
<td>3.13</td>
|
||||
<td>6.69</td>
|
||||
</tr>
|
||||
</tbody>
|
||||
</table>
|
||||
|
||||
<p>For reference, the maximum contrast ratio is 21:1 between black and
|
||||
white, while the minimum is always 1:1. These ratios are derived from a
|
||||
<a href="https://www.w3.org/TR/WCAG20-TECHS/G18.html">scientific formula</a> that
|
||||
underpins the WCAG standard (you can use an online tool to perform the
|
||||
calculations or try my <code>clr</code> shell script that is distributed as part of
|
||||
<a href="https://gitlab.com/protesilaos/dotfiles">my dotfiles</a>).</p>
|
||||
|
||||
<p>The table shows us indirectly that each channel of light is assigned a
|
||||
unique weight in the calculation of the final luminance, which is
|
||||
reflected in the different contrast ratios of red, green, blue. This
|
||||
means that for the purposes of colour contrast we cannot equate the
|
||||
amount of each channel with its total contribution. Our intuition that
|
||||
<code>#ff0000</code> is the same as <code>#0000ff</code> in terms of distance relative to zero
|
||||
cannot guide us by itself in selecting between the two.</p>
|
||||
|
||||
<p>We need a more qualified understanding of the mechanics of these three
|
||||
channels of light, predicated on the relative weights that the formula
|
||||
defines for red, green, blue respectively. These are the precise
|
||||
numbers:</p>
|
||||
|
||||
<pre><code>L = 0.2126 * R + 0.7152 * G + 0.0722 * B
|
||||
</code></pre>
|
||||
|
||||
<p>The general rules for luminance that we can deduce from the
|
||||
aforementioned are outlined thus:</p>
|
||||
|
||||
<ul>
|
||||
<li>“More green” means “lighter”.</li>
|
||||
<li>“More green” and “more red” means “even lighter”.</li>
|
||||
<li>“More blue” and to a lesser extent “more red” is the right way to
|
||||
tweak colours without completely changing their luminance.</li>
|
||||
</ul>
|
||||
|
||||
<p>In practice, adding a bit of blue makes virtually no difference to a
|
||||
colour’s luminance, while a good amount of it can help distinguish two
|
||||
accent values. For example <code>#aa0000</code> is a red that has 7.75 contrast
|
||||
with white, while <code>#aa0077</code> is a magenta that has 7.05 contrast (recall
|
||||
that 7:1 is our minimum target). We see how “a lot” of blue added to
|
||||
our particular red made little difference in the total luminance of the
|
||||
new colour, while it did have a greater effect on the perception of
|
||||
these two colours (you can use <code>rainbow-mode</code> for Emacs to preview valid
|
||||
values).</p>
|
||||
|
||||
<p>Now some insights about the choice of colour for use in the themes:</p>
|
||||
|
||||
<ul>
|
||||
<li>When designing a light theme, all colours need to rely on the blue
|
||||
channel of light and, to a lesser extent, on the red one. You cannot
|
||||
develop a fully fledged accessible light theme that makes extensive
|
||||
use of green, yellow, cyan, while also trying to keep colours fairly
|
||||
distinct from each other.</li>
|
||||
<li>When designing a dark theme, you cannot rely on green, yellow, cyan as
|
||||
your main colours because they will look much more luminant than other
|
||||
accents, unless you lower their values to a point where they no longer
|
||||
approximate their pure representation.</li>
|
||||
</ul>
|
||||
|
||||
<p>These mean that the most common colours for both the light and dark
|
||||
variants have to be derived by combining blue and red, with green being
|
||||
the channel that adjusts the relative luminance. Hence the various
|
||||
shades of pink, purple, azure, teal that are most used in the Modus
|
||||
themes to highlight text.</p>
|
||||
|
||||
<p>Combined with insights from colour psychology, we must rule out red as a
|
||||
valid colour for syntax highlighting. Red calls too much attention to
|
||||
itself. It is reserved for cases where such a property is desired, such
|
||||
as when presenting an error message. Similar principles apply to the
|
||||
use of yellow and green: they are used to signify something that has a
|
||||
special meaning in its context.</p>
|
||||
|
||||
<h2>The importance of knowing the background</h2>
|
||||
|
||||
<p>It is impossible to pick a colour without knowing the context it will be
|
||||
used in. We thus start by identifying our main background value.</p>
|
||||
|
||||
<p>When selecting multiple colours for the purposes of developing a theme,
|
||||
we know that their common point of reference is the background on which
|
||||
they will be used. The background is a constant. For my light theme
|
||||
the main one is white; for the dark it is black.</p>
|
||||
|
||||
<p>There are many cases where a different background needs to be used in
|
||||
order to render a certain function explicit and unambiguous. For
|
||||
example, to represent a matching search term, draw the selected region,
|
||||
and so on. For each of these scenaria we use the potentially
|
||||
purpose-specific background as our guide for choosing the possible
|
||||
colours that are allowed to be used with it as foreground values. As
|
||||
always, our overarching objective is conformance with the WCAG AAA
|
||||
standard.</p>
|
||||
|
||||
<p>It is for this reason that the Modus themes have several palette subsets
|
||||
with inline commentary on the colours they may be combined with (see
|
||||
source code). For instance, the red intended for text on the mode line
|
||||
differs from the one used in the main buffer because the mode line has a
|
||||
background that is a particular shade of grey.</p>
|
||||
|
||||
<p>Emacs allows for different combinations of text and colour properties:
|
||||
what is called a “face”. Such faces empower us to implement these
|
||||
palette subsets with precision.</p>
|
||||
|
||||
<h2>Part art, part science</h2>
|
||||
|
||||
<p>Theme development stands at the intersection of art and science:</p>
|
||||
|
||||
<ul>
|
||||
<li>Science allows us to measure the luminance of colours and decide on
|
||||
the acceptable values for any given combination of foreground and
|
||||
background.</li>
|
||||
<li>While the choice of one among possible combinations to denote the
|
||||
function of a given construct (interface or code element) is a matter
|
||||
of art.</li>
|
||||
</ul>
|
||||
|
||||
<p>It is not pertinent to this essay to investigate the exact proportion of
|
||||
each of these magnitudes to the delivery of the final outcome. Perhaps
|
||||
art is just an imprecise science waiting to be refined further by a
|
||||
yet-to-be-discovered method. At any rate, art is also governed by
|
||||
principles such as consistency, frugality, and temperance.</p>
|
||||
|
||||
<p>The Modus themes are designed with an intention to avoid exaggerations
|
||||
or what may be described as a “rainbow effect”. There are cases where
|
||||
science would allow us to combine variants of red, green, blue, yellow,
|
||||
magenta, cyan all in one place. Nothing would be technically wrong once
|
||||
the colour contrast criterion is satisfied. It would however look ugly
|
||||
by being excessive, flamboyant.</p>
|
||||
|
||||
<p>This is the tacit minimalism of the Modus themes: the visual aspect of a
|
||||
state of affairs is expressed by using as few colours as deemed
|
||||
necessary. There should be no imbalance in the visual “rhythm” of the
|
||||
highlighted text: a highly-luminant colour next to a considerably darker
|
||||
one all trying to present parts that are semantically similar or
|
||||
connatural is a bad choice; and “bad choice” implies the lack of a
|
||||
thematic thread running through all applicable colour combinations.</p>
|
||||
|
||||
<p>I understand minimalism as minimum viable completeness, basically
|
||||
meaning that “it works” without requiring any further additions to
|
||||
continue to work well and with such additions delivering diminishing
|
||||
returns to scale or even being detrimental to the task of avoiding
|
||||
exaggerations (i.e. the notion of enforcing a <em>theme</em>).</p>
|
||||
|
||||
<p>Differences of degree or nuances should also be discernible in the use
|
||||
of colour, in line with rhythmic consistency. For example, in the Modus
|
||||
themes documentation strings are a more subtle blue than literal
|
||||
strings. They could have been green, for instance, but that would
|
||||
introduce too much variation for semantically similar functions:
|
||||
scientifically correct, artistically sub-optimal.</p>
|
||||
|
||||
<h2>Try the themes</h2>
|
||||
|
||||
<p>The Modus themes are available in MELPA and MELPA Stable already for a
|
||||
few months now, while they were recently admitted to the official ELPA
|
||||
repository. They are distributed as standalone packages, in case you
|
||||
want to use one but not the other.</p>
|
||||
|
||||
<p>I am continuously refining the themes and expanding support for packages
|
||||
(face groups) in the Emacs milieu. This is necessary to ensure a
|
||||
consistent experience for all users.</p>
|
||||
|
||||
<p>I am happy for the feedback I have received, including but not limited
|
||||
to email messages. Meanwhile, <a href="https://www.manueluberti.eu//emacs/2020/03/16/modus-themes/">Manuel Uberti has published a blog
|
||||
entry</a>
|
||||
detailing how Modus Operandi has addressed a persistent issue with light
|
||||
themes. Given this opportunity, I must also thank Manuel for the
|
||||
valuable issues (and concomitant feedback) reported in the <a href="https://gitlab.com/protesilaos/modus-themes">project’s
|
||||
git repo</a>.</p>
|
||||
|
||||
<p>My commitment to accessibility of the WCAG AAA sort comes from the
|
||||
realisation that legibility is the single most important characteristic
|
||||
of any text-heavy interface. Emacs is all about text; and text should
|
||||
not pose a barrier to entry.</p>
|
||||
|
||||
<p>Use a reliable and unassuming typeface that does not draw too thin
|
||||
letter forms or demand constant attention to its peculiarities (such as
|
||||
<a href="https://gitlab.com/protesilaos/hack-font-mod">my patched “Hack”</a>) and
|
||||
apply a theme that prioritises good colour contrast.</p>
|
||||
|
||||
|
||||
|
|
@ -0,0 +1,4 @@
|
|||
<p>Alex puts the fantastic-looking, ARM-powered NAS known as the Helios64 to the test.</p>
|
||||
|
||||
<p>Plus feedback, and more.</p><p>Sponsored By:</p><ul><li><a href="https://linode.com/ssh" rel="nofollow">Linode</a>: <a href="https://linode.com/ssh" rel="nofollow">Receive a $100 60-day credit towards your new account. </a> Promo Code: linode.com/ssh</li><li><a href="https://acloudguru.com/pricing/?utm_source=jupiter&utm_medium=cpc&utm_campaign=2020_blackfriday" rel="nofollow">A Cloud Guru</a>: <a href="https://acloudguru.com/pricing/?utm_source=jupiter&utm_medium=cpc&utm_campaign=2020_blackfriday" rel="nofollow">Take advantage of your last chance to get a discount this year.</a></li></ul><p><a href="https://jupitersignal.memberful.com/checkout?plan=53744" rel="payment">Support Self-Hosted</a></p><p>Links:</p><ul><li><a href="https://kobol.io/#" title="Kobol - Helios64 Open Source NAS" rel="nofollow">Kobol - Helios64 Open Source NAS</a> — The Ultimate ARM Powered NAS.</li><li><a href="https://wiki.kobol.io/" title="Kobol Wiki" rel="nofollow">Kobol Wiki</a> — Kobol Network Attached Storage (NAS) are open source projects, therefore any technical data related to these projects will be published on this Wiki.</li><li><a href="https://blog.kobol.io/2020/11/13/helios64-2-5g-ethernet-issue/" title="Helios64 Product Limitation Notification" rel="nofollow">Helios64 Product Limitation Notification</a> — Recently we have discovered that when Helios64 2.5G Ethernet interface is connected at 1000Mb/s Link Speed (e.g. Connected to a Gigabit switch), the performance is really degraded, around 10 - 100 Mbps.</li><li><a href="https://play.google.com/store/apps/details?id=com.acmeandroid.listen" title="Listen Audiobook Player" rel="nofollow">Listen Audiobook Player</a></li><li><a href="https://play.google.com/store/apps/details?id=de.ph1b.audiobook&hl=en_US" title="Voice Audiobook Player" rel="nofollow">Voice Audiobook Player</a></li><li><a href="https://f-droid.org/en/packages/org.gateshipone.odyssey/" title="Odyssey" rel="nofollow">Odyssey</a></li><li><a href="https://f-droid.org/en/packages/com.prangesoftwaresolutions.audioanchor/" title="AudioAnchor" rel="nofollow">AudioAnchor</a></li><li><a href="https://www.photosync-app.com/home.html" title="PhotoSync – Photo Transfer and Backup App" rel="nofollow">PhotoSync – Photo Transfer and Backup App</a> — Transfer and backup photos & videos</li><li><a href="https://www.home-assistant.io/conference" title="Home Assistant Conference 2020" rel="nofollow">Home Assistant Conference 2020</a> — The Home Assistant Conference is an online event to celebrate the community. It’s where the Home Assistant community will share their ideas, creations and major milestones. The event will take place on December 13, 2020.</li></ul>
|
||||
|
||||
|
|
@ -0,0 +1 @@
|
|||
<p><img src="https://thumbnails.lbry.com/0TRDFVklQdc" width="480" alt="thumbnail" title="Will you EVER stand up for yourself?" /></p>Better to live one day as a gigachad than 100 years as a soyjack.<br /><br />https://lukesmith.xyz<br />Get all my videos off YouTube: https://videos.lukesmith.xyz<br />or Odysee: https://odysee.com/$/invite/@Luke:7<br /><br />Please donate: https://donate.lukesmith.xyz<br />BTC: bc1qw5w6pxsk3aj324tmqrhhpmpfprxcfxe6qhetuv<br />XMR: 48jewbtxe4jU3MnzJFjTs3gVFWh2nRrAMWdUuUd7Ubo375LL4SjLTnMRKBrXburvEh38QSNLrJy3EateykVCypnm6gcT9bh<br /><br />OR affiliate links to things l use:<br />https://www.vultr.com/?ref=8384069-6G Get a VPS and host a website or server for anything else.<br />https://www.epik.com/?affid=we2ro7sa6 Get a cheap and reliable domain name with Epik.<br />...<br />https://www.youtube.com/watch?v=0TRDFVklQdc
|
||||
|
|
@ -0,0 +1 @@
|
|||
<!-- SC_OFF --><div class="md"><p>I was having problems with one of my AUR packages, and I thought the pkgbuikd was broken until I saw this: <a href="https://github.com/github/feedback/discussions/8149">https://github.com/github/feedback/discussions/8149</a>.</p> <p>It looks like if the pkgbuild grabs a tarball from Github, it may not be at the expected url. Just thought I would share this in case someone else runs into the same problem I did.</p> </div><!-- SC_ON -->   submitted by   <a href="https://www.reddit.com/user/ijlx"> /u/ijlx </a> <br/> <span><a href="https://www.reddit.com/r/archlinux/comments/r466jh/psa_if_youve_been_having_problems_building_an_aur/">[link]</a></span>   <span><a href="https://www.reddit.com/r/archlinux/comments/r466jh/psa_if_youve_been_having_problems_building_an_aur/">[comments]</a></span>
|
||||
|
|
@ -0,0 +1,71 @@
|
|||
|
||||
<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
|
||||
<iframe loading="lazy" title="Jill's Treasure Hunt, Shells.com & Matt of DLN's Game Sphere | Destination Linux 225" width="800" height="450" src="https://www.youtube.com/embed/dpBojABG4Ug?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
|
||||
</div></figure>
|
||||
|
||||
|
||||
|
||||
<p>This week’s episode of Destination Linux, we have a special guest joining us, Matt the host of DLN’s Game Sphere podcast to talk to us about ‘Playstation’s recent announcement with Discord’ and what that might mean for Linux gamers. Then we’ll take a field trip to Jill’s Museum for another rendition of a segment everyone loves, Jill’s Treasure Hunt. We’re also going to be covering a cloud based desktop solution. Cloud . . . Desktop? That’s right. We’ll let you know what that seemingly contradictory sentence means later in the show. Plus we’ve also got our famous tips, tricks and software picks. All of this and so much more this week on Destination Linux. So whether you’re brand new to Linux and open source or a guru of sudo. This is the podcast for you.</p>
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
<figure class="wp-block-image size-large is-resized"><img loading="lazy" src="https://destinationlinux.org/wp-content/uploads/2021/03/digital-ocean-hor.png" alt="" class="wp-image-1499" width="468" height="60"/><figcaption>Sponsored by: <a rel="noopener" href="https://do.co/dln" target="_blank">do.co/dln</a></figcaption></figure>
|
||||
|
||||
|
||||
|
||||
<figure class="wp-block-image size-large is-resized"><img loading="lazy" src="https://destinationlinux.org/wp-content/uploads/2020/07/bitwarden-banner-1.jpg" alt="" class="wp-image-2301" width="468" height="60" srcset="https://destinationlinux.org/wp-content/uploads/2020/07/bitwarden-banner-1.jpg 469w, https://destinationlinux.org/wp-content/uploads/2020/07/bitwarden-banner-1-300x39.jpg 300w, https://destinationlinux.org/wp-content/uploads/2020/07/bitwarden-banner-1-150x20.jpg 150w" sizes="(max-width: 468px) 100vw, 468px" /><figcaption>Sponsored by: <a href="https://bitwarden.com/dln" target="_blank" rel="noopener">bitwarden.com/dln</a></figcaption></figure>
|
||||
|
||||
|
||||
|
||||
<h4>Hosts of Destination Linux:</h4>
|
||||
|
||||
|
||||
|
||||
<p>Ryan (DasGeek) = <a href="https://dasgeekcommunity.com" target="_blank" rel="noopener">dasgeekcommunity.com</a><br>Michael Tunnell = <a href="https://tuxdigital.com" target="_blank" rel="noopener">tuxdigital.com</a><br>Jill Bryant = <a href="https://twitter.com/jill_linuxgirl" target="_blank" rel="noreferrer noopener">twitter.com/jill_linuxgirl</a></p>
|
||||
|
||||
|
||||
|
||||
<h4>Want to Support the Show?</h4>
|
||||
|
||||
|
||||
|
||||
<p>Support us on Patreon = <a href="https://destinationlinux.org/patreon" target="_blank" rel="noopener">https://destinationlinux.org/patreon</a><br>Support us on Sponsus = <a href="https://destinationlinux.org/sponsus" target="_blank" rel="noopener">https://destinationlinux.org/sponsus</a><br>Destination Linux Network Store = <a href="https://destinationlinux.network/store" target="_blank" rel="noopener">http://dlnstore.com</a></p>
|
||||
|
||||
|
||||
|
||||
<h4>Want to follow the show and hosts on social media?</h4>
|
||||
|
||||
|
||||
|
||||
<p>You can find all of our social accounts at <a href="https://destinationlinux.org/contact">https://destinationlinux.org/contact</a></p>
|
||||
|
||||
|
||||
|
||||
<h3>Segment Index</h3>
|
||||
|
||||
|
||||
|
||||
<ul><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h00m00s" target="_blank" rel="noopener">00:00:00</a> = Welcome to DL 225</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h01m15s" target="_blank" rel="noopener">00:01:15</a> = Why Gaming Is Important to the Linux Ecosystem</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h04m54s" target="_blank" rel="noopener">00:04:54</a> = Community Feedback: Contributions as a Non-Developer & Helping with Improving Privacy Components</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h14m21s" target="_blank" rel="noopener">00:14:21</a> = Digital Ocean: App Platform / Cloud ( <a href="https://do.co/dln" target="_blank" rel="noopener">https://do.co/dln</a> )</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h15m47s" target="_blank" rel="noopener">00:15:47</a> = Jill’s Treasure Hunt: <a href="https://en.wikipedia.org/wiki/Ouya" target="_blank" rel="noopener">Ouya</a> Game Console</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h31m14s" target="_blank" rel="noopener">00:31:14</a> = News: <a href="https://www.shells.com/" target="_blank" rel="noopener">Shells.com</a> Cloud-based Desktop Computing</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h44m34s" target="_blank" rel="noopener">00:44:34</a> = Bitwarden Password Manager ( <a href="https://bitwarden.com/dln" target="_blank" rel="noopener">https://bitwarden.com/dln</a> )</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=00h46m39s" target="_blank" rel="noopener">00:46:39</a> = Gaming: Sony + Discord & Valve’s Proton with Matt from DLN’s <a href="https://gamesphere.show/" target="_blank" rel="noopener">Game Sphere</a></li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h02m52s" target="_blank" rel="noopener">01:02:52</a> = Software Spotlight: <a href="http://www.hedgewars.org/" target="_blank" rel="noopener">Hedgewars</a></li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h05m05s" target="_blank" rel="noopener">01:05:05</a> = Tip of the Week: <a href="https://github.com/FeralInteractive/gamemode" target="_blank" rel="noopener">Game Mode</a> from <a href="https://www.feralinteractive.com/" target="_blank" rel="noopener">Feral Interactive</a></li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h07m43s" target="_blank" rel="noopener">01:07:43</a> = Outro</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h07m50s" target="_blank" rel="noopener">01:07:50</a> = <a href="https://destinationlinux.org/contribute/" target="_blank" rel="noopener">Become a Patron</a> for Extras & Bonus Content</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h08m29s" target="_blank" rel="noopener">01:08:29</a> = Join us Live on Sundays at <a href="https://destinationlinux.network/live" target="_blank" rel="noopener">DLNLive.com</a></li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h08m47s" target="_blank" rel="noopener">01:08:47</a> = New Merch Drop at <a href="https://destinationlinux.network/store" target="_blank" rel="noopener">DLNStore.com!</a></li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h09m31s" target="_blank" rel="noopener">01:09:31</a> = More Great Content at <a href="https://destinationlinux.network/" target="_blank" rel="noopener">DestinationLinux.Network</a></li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h10m07s" target="_blank" rel="noopener">01:10:07</a> = DLN Xtend Recording Live On May 19th</li><li><a href="https://www.youtube.com/watch?v=dpBojABG4Ug&t=01h10m39s" target="_blank" rel="noopener">01:10:39</a> = Patron Postshow Preview</li></ul>
|
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|
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|
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|
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<h3>Tip of the Week</h3>
|
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|
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|
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|
||||
<ul><li>Our tip and trick this week is going to help you get the most out of your gaming experience on Linux.</li><li>The tip is to use Game Mode in order to increase the performance you’re getting from your PC.</li><li>Gamemode is a daemon/lib combo for Linux that allows games to request a set of optimisations… to be temporarily applied… to the host OS and/or a game process.</li><li>First Install the gamemode and lib32-gamemode packages.</li><li>Once that’s done open up Steam and to make sure Steam starts a game with gamemode, right click the game, select Properties…, then Launch Options and enter:</li></ul>
|
||||
|
||||
|
||||
|
||||
<pre class="wp-block-code"><code>gamemoderun %command%</code></pre>
|
||||
|
||||
|
||||
|
||||
<p>You should see some increased FPS and performance while gaming. You can also launch this on non Steam games using:</p>
|
||||
|
||||
|
||||
|
||||
<pre class="wp-block-code"><code>gamemoderun ./game</code></pre>
|
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|
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<p>Who was at the beginning of the cosmos with God? God’s Spirit? God’s word? Or Lady Wisdom? Rich with creation narrative ties, the book of Proverbs contains important insights for how we understand God’s relationship to his creation and who Jesus is. Join Tim, Jon, and Carissa as they explore Proverbs 8.</p><p><a href="https://bibleproject.com/podcasts/the-bible-project-podcast/">View full show notes from this episode →</a></p><p><strong>Timestamps </strong></p><ul><li>Part one (0:00-8:30)</li><li>Part two (8:30-21:00)</li><li>Part three (21:00-36:00)</li><li>Part four (36:00-52:00)</li><li>Part five (52:00-end)</li></ul><p><strong>Referenced Resources</strong></p><ul><li>Interested in more? Check out <a href="https://bibleproject.com/tim-mackie/">Tim’s library here.</a></li><li>Michael V. Fox,<i> Proverbs 1-9</i></li></ul><p><strong>Show Music </strong></p><ul><li>“Defender (Instrumental)” by TENTS</li><li>“Euk's First Race” by David Gummel</li><li>“Scream Pilots” by Moby</li><li>“Drug Police” by Moby</li><li>“Shot in the Back of the Head” by Moby</li></ul><p>Show produced by Dan Gummel, Zack McKinley, and Cooper Peltz. Show notes by Lindsey Ponder. </p>
|
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|
|
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|
|||
<table> <tr><td> <a href="https://www.reddit.com/r/unixporn/comments/qy1you/openbox_aether_desktop/"> <img src="https://preview.redd.it/qx114crzwp081.png?width=640&crop=smart&auto=webp&s=9517772ed43d411e893afcbbd44659ab013de447" alt="| [Openbox] Aether Desktop" title="| [Openbox] Aether Desktop" /> </a> </td><td>   submitted by   <a href="https://www.reddit.com/user/iruha25"> /u/iruha25 </a> <br/> <span><a href="https://i.redd.it/qx114crzwp081.png">[link]</a></span>   <span><a href="https://www.reddit.com/r/unixporn/comments/qy1you/openbox_aether_desktop/">[comments]</a></span> </td></tr></table>
|
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|
|
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|
|||
|
||||
<div ( . )='http://www.w3.org/1999/xhtml'>
|
||||
<a href='https://yewtu.be/watch?v=5PhZZndeZng'>
|
||||
<img src='https://yewtu.be/vi/5PhZZndeZng/mqdefault.jpg'/>
|
||||
</a>
|
||||
<p style='word-break:break-word;white-space:pre-wrap'>ANNOUNCEMENT!
|
||||
The video you are watching was offered a refutation by Roman Catholic apologist Trent Horn. I'm going to be giving a response to that refutation on this coming Monday, November 22nd at 1pm Pacific time. Here's the link to that response. https://youtu.be/hIAVbck93pc
|
||||
|
||||
This is one of several clips I will be uploading from a big video I did with Allen Parr evaluating a few different religious groups in light of biblical Christianity. Subscribe to my channel to get notified when the other videos in this series go up.
|
||||
|
||||
Here is Allen Parr's channel, I recommend you check it out. https://youtube.com/user/thebeatagp
|
||||
|
||||
More videos on mine related to Catholicism below...
|
||||
|
||||
Why I can't be a Roman Catholic (2 hour, detailed video) https://youtu.be/7ZVHHmCOjOg
|
||||
|
||||
The "justified by works" passage in James 2 explained from a protestant perspective. https://youtu.be/eDNPHuCsEms
|
||||
|
||||
In this video I deal with Roman Catholic apologists and Scripture they use to try to say that purgatory is in the Bible https://youtu.be/UzVzn8h7jnM
|
||||
|
||||
Explaining and defending sola scriptura https://youtu.be/tJxjKAcn78I
|
||||
|
||||
My website. Tons of free, searchable content helping you learn to think biblically about everything. https://BibleThinker.org</p>
|
||||
</div>
|
||||
|
||||
|
|
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|
|||
<p><img src="https://thumbnails.lbry.com/u_9Tb5qejrM" width="480" alt="thumbnail" title="Linux Geek Buying Guide for Christmas | Destination Linux 256" /></p>Linux Geek Buying Guide for Christmas | Destination Linux 256<br /><br />This week’s episode of Destination Linux, we are going to list out the best gifts to give the Linux geek in your life or just the best gifts to get yourself. If you want to drop some hints to your significant other about what to get your for the holidays…make sure they listen to this episode. Then we’re going to discuss some troubling reports regarding Debian. Plus we've also got our famous tips, tricks and software picks. All of this and so much more this week on Destination Linux. So whether you're brand new to Linux and open source or a guru of sudo. This is the podcast for you.<br /><br />FrontPageLinux.com ►► https://frontpagelinux.com<br /><br />--- <br /><br />Sponsored by:<br />Digital Ocean = https://do.co/dln<br />Bitwarden = https://bitwarden.com/dln<br /><br />Hosted by:<br />Michael Tunnell = https://tuxdigital.com<br />Ryan (DasGeek) = https://dasgeekcommunity.com<br />Jill Bryant = https://jilllinuxgirl.com<br /><br />Want to Support the Show?<br />Support us on Patreon = https://destinationlinux.org/patreon<br />Support us on Sponsus = https://destinationlinux.org/sponsus<br />DLN Store = http://dlnstore.com<br /><br />Want to follow the show and hosts on social media?<br />You can find all of our social accounts at https://destinationlinux.org/contact<br /><br />---<br /><br />Join Odysee With Our DLN Invite Link = https://odysee.com/$/invite/@destinationlinux:9<br /><br />#Linux #OpenSource #Podcast<br />...<br />https://www.youtube.com/watch?v=u_9Tb5qejrM
|
||||
|
|
@ -0,0 +1 @@
|
|||
  submitted by   <a href="https://www.reddit.com/user/lochydjango"> /u/lochydjango </a> <br/> <span><a href="https://redditpagematrics.com/r/emacs">[link]</a></span>   <span><a href="https://www.reddit.com/r/emacs/comments/ru8bhu/remacs_subdirect_statistics/">[comments]</a></span>
|
||||
|
|
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|
|||
<p>SHOW NOTES: </p>
|
||||
|
||||
<p>- All the info you need to START is on our <a href='http://www.thebiblerecap.com'>website</a>!</p>
|
||||
|
||||
<p>- Join our <a href='https://www.patreon.com/thebiblerecap'>PATREON</a> family for bonus perks!</p>
|
||||
|
||||
<p>- Get your <a href='https://www.theconnextion.com/tlcdgroup/index.cfm'>TBR merch</a></p>
|
||||
|
||||
<p>- <a href='http://thebiblerecap.com/contact'>Show credits</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>FROM TODAY’S PODCAST: </p>
|
||||
|
||||
<p>- Video: <a href='https://www.youtube.com/watch?v=urlvnxCaL00'>2 Timothy Overview</a></p>
|
||||
|
||||
<p> </p>
|
||||
|
||||
<p>SOCIALS:</p>
|
||||
|
||||
<p>The Bible Recap:<a href='https://instagram.com/thebiblerecap'> Instagram</a> |<a href='https://www.facebook.com/thebiblerecap'> Facebook</a> |<a href='https://twitter.com/thebiblerecap'> Twitter</a></p>
|
||||
|
||||
<p>D-Group:<a href='https://instagram.com/mydgroup/'> Instagram</a> |<a href='https://www.facebook.com/ilovemydgroup'> Facebook</a> |<a href='https://mobile.twitter.com/mydgroup'> Twitter</a></p>
|
||||
|
||||
<p>TLC:<a href='https://instagram.com/taraleighcobble'> Instagram</a> |<a href='https://www.facebook.com/taraleighcobble'> Facebook</a> |<a href='https://twitter.com/taraleighcobble'> Twitter</a></p>
|
||||
|
||||
<p>
|
||||
D-GROUP:
|
||||
The Bible Recap is brought to you by<a href='https://www.mydgroup.org/'> D-Group</a> - an international network of discipleship and accountability groups that meet weekly in homes and churches:<a href='https://www.mydgroup.org/map'> Find or start one near you today</a>!</p>
|
||||
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